Music

The Records That Made Me

Music is one of the ways I make sense of the world. So this is less a list of favorites than a small autobiography, told in albums — the ones that changed how I feel, and a few that changed how I think.

Faye Wong — 浮躁 (Fuzao) playing on a phone

浮躁 — permanently in my now-playing

The constant

Faye Wong 王菲

Every other artist here belongs to a season of my life. Faye Wong belongs to all of them. She folded dream pop and the Cocteau Twins into Chinese pop and made it sound like the most natural thing in the world — cool, weightless, a little otherworldly. Her voice is the closest thing I have to a sound for home. I love the whole catalog; these are the five I keep coming back to.

  • 浮躁 cover
    浮躁Fú Zào · “Restless”1996Her most fearless record — ambient, Cocteau-Twins-shaped, barely trying to be pop and perfect for it.
  • 王菲 cover
    王菲self-titled1997The one where the icon and the experiment meet in the middle.
  • 唱游 cover
    唱游Chàng Yóu · “Sing and Play”1998Pure play — her voice at its most weightless.
  • 只爱陌生人 cover
    只爱陌生人“Only Love Strangers”1999Cool, glassy, quietly heartbroken.
  • 寓言 cover
    寓言Yù Yán · “Fable”2000Her most ambitious — half song cycle, half spell.

The ones who arrived exactly when I needed them and defined a decade of feeling — middle school through grad school, on repeat.

Lady Gaga

Lady Gagapop · performance art

The first pop that felt like armor — theater, costume, and the radical idea that a hook and an art-school concept could be the same gesture. She made strangeness a place you could live.

  • The Fame Monster cover
    The Fame Monster2009Eight songs of glorious dread — “Bad Romance,” and the birth of the monster.
Beyoncé

Beyoncépop · R&B

The engine of my high school and college — discipline and abandon in the same body.

  • I Am… Sasha Fierce cover
    I Am… Sasha Fierce2008The alter-ego record — permission to become someone bigger onstage than off.
  • BEYONCÉ cover
    BEYONCÉ2013Dropped at midnight with no warning, a full visual album — it rewrote how a record could even arrive.
  • Lemonade cover
    Lemonade2016A concept album about betrayal, lineage, and Black womanhood. Still the high-water mark for what pop can hold.
  • RENAISSANCE cover
    RENAISSANCE2022A love letter to house and ballroom — Black queer dance history turned into pure release.
Taylor Swift

Taylor Swiftpop · songwriting

The discography I grew up alongside — and kept growing with. I saw the Reputation tour.

  • Fearless cover
    Fearless2008One of the best country records of its era — teenage romance written with startling precision.
  • 1989 cover
    19892014The full turn into pop; with the next one, the album that hit hardest.
  • reputation cover
    reputation2017Armor and heartbeat — the one that landed deepest. I saw this tour.
  • folklore cover
    folklore2020Lockdown turned into a hushed, wooded fiction.
  • evermore cover
    evermore2020folklore’s sister — proof she could disappear into a story and come back changed.
  • Midnights cover
    Midnights2022Thirteen sleepless nights, synth-lit and confessional.
Ariana Grande

Ariana Grandepop · R&B

The voice that scored my grad-school years — featherlight runs over heavy feelings.

  • Dangerous Woman cover
    Dangerous Woman2016The whistle-tone declaration of independence.
  • Sweetener cover
    Sweetener2018Pharrell-bright pop, healing in real time.
  • thank u, next cover
    thank u, next2019Grief and self-repair turned into the lightest, sharpest pop of the decade.
  • Positions cover
    Positions2020Late-night R&B, all silk.
  • Eternal Sunshine cover
    Eternal Sunshine2024House-lit heartbreak, spotless-mind and all.
Dua Lipa

Dua Lipapop · dance-pop

Modern pop with a disco spine — she made the dance floor feel new again.

  • Dua Lipa cover
    Dua Lipa2017The debut — “New Rules,” and a voice that already knew exactly what it wanted.
  • Future Nostalgia cover
    Future Nostalgia2020A flawless pop record — nu-disco, wall to wall, not a wasted second. One of the great ones.
Rihanna

Rihannapop · R&B

A huge one growing up — effortless cool that never once tried too hard.

  • Anti cover
    Anti2016The one where she stopped chasing hits and made art — “Love on the Brain,” that voice finally unbothered.
Adele

Adelesoul · pop

The voice that stops a room — heartbreak sung so plainly it feels like your own.

  • 21 cover
    212011Grief turned into the most bulletproof breakup record of a generation.

Pop as literature — writers who use the form to say something stranger and sadder than the radio usually allows.

Lorde

Lordeart pop

Teenage interiority rendered with a poet's precision — nobody writes the ache of a party like her.

  • Melodrama cover
    Melodrama2017That bitch. A whole heartbreak told across one long night — perfect from start to finish.
Lana Del Rey

Lana Del Reyart pop · Americana

Cinematic melancholy and old-Hollywood glamour — she made sadness sound like a place.

  • Norman Fucking Rockwell! cover
    Norman Fucking Rockwell!2019Phenomenal — on repeat. Her masterpiece: sprawling, sun-bleached, quietly devastating.
Kate Bush

Kate Bushart pop

The original — theatrical, uncanny, decades ahead of everyone who came after.

  • Hounds of Love cover
    Hounds of Love1985A perfect two-sided record — pop singles up front, an experimental suite on the back.

The gauzy, wordless-feeling lineage that runs underneath everything else I love — the DNA under Faye Wong.

Cocteau Twins

Cocteau Twinsdream pop

Elizabeth Fraser’s voice used as pure texture, words dissolved into feeling. The source code for the whole mood.

  • Heaven or Las Vegas cover
    Heaven or Las Vegas1990Their masterpiece — gauzy, radiant, barely-there language and total emotional clarity.
The Cranberries

The Cranberriesalt rock · dream pop

Dolores O’Riordan’s ache and lilt — jangle and grief in the same breath.

  • No Need to Argue cover
    No Need to Argue1994“Zombie,” and a whole album of that Irish-lit heartbreak.

The wall of sound — the records that reorder a teenager from the inside out.

Nirvana

Nirvanagrunge

“Smells Like Teen Spirit” — the noise that rewired what music could feel like.

  • Nevermind cover
    Nevermind1991The record that ended one decade of music and started another.
Radiohead

Radioheadalt rock

Dread and beauty resolved into the same chord — anxiety made gorgeous.

  • The Bends cover
    The Bends1995“High and Dry,” “Fake Plastic Trees” — heartbreak before they went abstract. I love this one.
  • OK Computer cover
    OK Computer1997Millennial unease turned into the most beautiful album about being afraid.

Plainspoken heartbreak and big open skies — the songwriting tradition that never stopped teaching everyone else how to tell a story.

Kacey Musgraves

Kacey Musgravescountry · pop

Country with a cosmic, wide-open heart — plainspoken and psychedelic at once.

  • Golden Hour cover
    Golden Hour2018One of my favorite country albums — warm, glowing, in love with being in love.
Lady A

Lady ALady Antebellumcountry · pop

Radio-country at its most tender — three-part harmony built for a late-night phone call.

  • Need You Now cover
    Need You Now2010That title track — the sound of everyone's 1:15 a.m. weakness.

The voices I grew up on — the runs, the ache, the writing. This is the music I reach for when I want to feel understood.

Mariah Carey

Mariah CareyR&B

Impeccable. The R&B I came up on; those runs are a whole language.

  • Butterfly cover
    Butterfly1997The pivot where the voice found its softness — phenomenal.
  • The Emancipation of Mimi cover
    The Emancipation of Mimi2005“We Belong Together” — the sound of growing up.
  • E=MC² cover
    E=MC²2008The comeback’s victory lap, still gliding.
Frank Ocean

Frank OceanR&B

Memory and blur made into music. Nobody writes loneliness this beautifully.

  • Channel Orange cover
    Channel Orange2012A Los Angeles fever dream — “Pyramids,” “Thinkin Bout You,” heartbreak in widescreen.
  • Blonde cover
    Blonde2016Shapeless, gorgeous, half-remembered — the sound of a mind wandering home.
Kendrick Lamar

Kendrick Lamarhip-hop

Pressure and precision in equal measure — the most exacting writer of his generation.

  • DAMN. cover
    DAMN.2017“HUMBLE.” and a Pulitzer’s worth of contradiction — faith, fame, and fear.

Smoke and warmth — voices that make a room go quiet. The music I put on when I want to feel something slow.

Amy Winehouse

Amy Winehousesoul · jazz

A once-in-a-generation voice — old-soul phrasing over modern heartbreak. Huge for me.

  • Back to Black cover
    Back to Black2006Phenomenal — girl-group grandeur and raw hurt in the same breath. It marked me.
Norah Jones

Norah Jonesjazz · pop

Hushed piano-jazz with a pop heart — the sound of a slow Sunday morning.

  • Come Away with Me cover
    Come Away with Me2002That debut — impossibly warm, impossibly easy to fall into.

The machines that taught me a groove can be a feeling — and the hyperpop that took pop apart and rebuilt it louder. Where a lot of my love of pop production actually begins.

Charli XCX

Charli XCXhyperpop · pop

That bitch — 10 out of 10. With AG Cook she made hyperpop feel like the future of pop, then made the whole world admit it. I was obsessed.

  • Number 1 Angel cover
    Number 1 Angel2017The mixtape that kicked the door in — sugar and static in equal measure.
  • Pop 2 cover
    Pop 22017Practically the anthem of my 2017 — a PC Music fever dream, still the most fearless pop record I know.
  • BRAT cover
    BRAT2024The one that finally made the whole planet get it — lime-green, sweaty, brilliant.
Daft Punk

Daft PunkFrench house · electronic

Two robots who made electronic music feel human. As good as the genre gets.

  • Discovery cover
    Discovery2001Phenomenal — “One More Time,” “Digital Love.” Pure, nostalgic, joyful. I love this album.
Underworld

Underworldelectronic · techno

Hypnotic, euphoric, built to go all night.

  • Second Toughest in the Infants cover
    Second Toughest in the Infants1996Home of “Born Slippy” — that rush that reordered what dance music could do to me.
Black Eyed Peas

Black Eyed Peaspop · electronic

My very first taste of electronic pop — maximal, shameless, impossible not to move to.

  • The E.N.D. cover
    The E.N.D.2009“Boom Boom Pow” — the door I walked through into all of this.

Pop doesn't speak one language. Two records from far outside the Anglo-American center that hit me just as hard.

Rosalía

Rosalíaflamenco pop · Latin

Flamenco reinvented for now — avant-garde and utterly pop at the same time.

  • MOTOMAMI cover
    MOTOMAMI2022Fractured, playful, fearless — a pop album that sounds like nothing else.
  • EL MAL QUERER cover
    EL MAL QUERER2018A flamenco concept album about a toxic love — her breakthrough, and a marvel.
Kiyotaka Sugiyama

Kiyotaka Sugiyama杉山清貴city pop · Japan

Japanese city pop — sunlit, breezy, the sound of a coastal drive in the '80s.

  • beyond… cover
    beyond…1985Warm, wistful city pop — the genre at its most effortlessly romantic.

The architects — style, concept, and pure craft I keep going back to school on. The language everyone after them is still speaking.

Prince

Princefunk · rock · soul

Maybe my favorite of them all. Genius with no edges — funk, rock, soul, everything at once.

  • Purple Rain cover
    Purple Rain1984Guitar, gospel, and sex in one purple storm — the peak of a one-man genre.
David Bowie

David Bowieart rock · glam

Style and reinvention as a life practice; a new self for every record.

  • The Rise and Fall of Ziggy Stardust and the Spiders from Mars cover
    The Rise and Fall of Ziggy Stardust and the Spiders from Mars1972The alien rock messiah — the album that turned persona into an art form.
Madonna

Madonnapop

The blueprint for the modern pop star — reinvention as a career, provocation as a craft.

  • Like a Virgin cover
    Like a Virgin1984The one that made her an icon — cheeky, defiant, impossible to ignore.
  • Ray of Light cover
    Ray of Light1998Her reinvention as an electronic mystic — the rare late-career peak.

Pink Floydprog rock

Space and silence used as instruments.

  • The Dark Side of the Moon cover
    The Dark Side of the Moon1973A seamless suite about time, money, and madness — the prism you already know by heart.
Queen

Queenrock

Opera-scaled ambition that still knows how to land a chorus.

  • A Night at the Opera cover
    A Night at the Opera1975“Bohemian Rhapsody” and the most maximal record ever made.
The Beatles

The Beatlesrock

The songbook everything else is measured against.

  • Abbey Road cover
    Abbey Road1969The farewell — that medley, that crosswalk, that goodbye.
The Beach Boys

The Beach Boyspop · rock

Harmony as sunlight — and, underneath, a deep ache.

  • Pet Sounds cover
    Pet Sounds1966“God Only Knows” — teenage symphonies to God, and the record that taught everyone else how.
Bee Gees

Bee Geesdisco · pop

Falsetto and groove; joy engineered to the millimeter.

  • Saturday Night Fever cover
    Saturday Night Fever1977The soundtrack that lit up a whole decade’s dance floor.
ABBA

ABBApop · disco

Melancholy smuggled inside the happiest melodies ever written.

  • Arrival cover
    Arrival1976“Dancing Queen” — Swedish precision and bittersweet perfection.
Earth, Wind & Fire — September

The last song

Earth, Wind & FireSeptember

Earth, Wind & Fire · 1978

If dying really does come with a flashback of your whole life, this is the song I want playing over mine. Not for anything profound — just because it is pure, uncut happiness. Horns like sunlight, that impossible chorus, a groove with no shadow in it anywhere.

Every record above taught me something about feeling. This one is the feeling I'd want to end on: blessing, gladness, the sheer luck of having been here at all. Do you remember? I always will.